More Portfolio
Hi, it's pretty obvious, when you look at images of my work,
to determine my primary interests and manner and style.
It seems condescending, to me, to bother you with the obvious.
I do have a few words below about my approach to painting.
Sculpture and 'incidental' architecture have always been part
of my work and expression. Sometimes they all collide.
The paintings, on a formal level:
Issues having to do with looking and thinking about
perception, at the moment of seeing the 'motif,' are most
interesting to me. Making a painting in that situation
(percepting/thinking) is most inclusively 'real'.
The painting made at the 'motif' and then taken to the studio,
becomes the 'new' motif.
The 'original' painting is then the source for another painting; I
may then replicate (repaint) the original or select from it another
motif and build (literally) a way to combine the various iterations
and other forms.
My method, I like to think, is akin to the notion of 'Stream of Consciousnes'