*Multi-part paintings*
Painting in dry southern Ca. focused my attention on
ground conditions rather than foliage. 'Ground' in the painter's
lexicon is the underlayer upon which paint is applied, in this case
a sheet of 1/2" plywood. After the painting, in oils, dried hard I scraped
parts of the surface to reveal the plywood grain pattern that had caused me to choose that piece in the first place. I was encouraged by images of mirage, waterflow and "the ground of being".